Salman Khan hitches onto the ‘brandwagon’ with newfound swag

At 54, Bollywood superstar Salman Khan suddenly seems to be finding newfound swag in the arena of brand endorsement. He is fronting ads of a smartphone brand, a popular cola and more. The actor who has always enjoyed a massive appeal and “resonates with the word ‘swag’ in a way no one else can”, would always seem like a top pick among Bollywood stars for endorsements, but he preferred staying away from the brands game so far.

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Disha Patani dances on ‘Lean On’ with a friend amid Radhe – Your Most Wanted Bhai shooting

After starring in Malang that released earlier this month, Disha Patani is busy with the shooting schedule of her next film, Radhe – Your Most Wanted Bhai. Amid the shooting schedule, the actress having the time of her life enjoying the time on the sets of the film.

Disha Patani dances on 'Lean On' with a friend amid Radhe - Your Most Wanted Bhai shooting

Now, a video of Disha Patani is going viral in which she dancing to the tunes of the popular song ‘Lean On’. The actress along with her friend was doing the hook step in a car and added her own twist with Bhangra steps.

 

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Meanwhile, on the work front, Disha Patan Gujarat has been shooting for her upcoming film, Radhe: Your Most Wanted Bhai opposite Salman Khan. This is her second collaboration with the superstar post Bharat. The film is releasing on Eid 2020.

ALSO READ: Baaghi 3 star Tiger Shroff shares sizzling photo of Disha Patani from upcoming song ‘Do You Love Me’

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Throwback Thursday: Amitabh Bachchan shares ‘then & now’ photo meeting Ranbir Kapoor on Throwback Thursday: Amitabh Bachchan shares ‘then & now’ photo meeting Ranbir Kapoor on sets of Brahmastra and Ajooba with Shashi Kapoor Brahmastra and on sets of Ajooba with Shashi Kapoor

The much delayed and highly awaited film Brahmastra is currently on its last schedule. Earlier this week, Amitabh Bachchan and Ranbir Kapoor kicked off the final schedule in Mumbai. Interestingly, the megastar shared a photo of himself with Ranbir Kapoor and also another one where he met him during Ajooba shooting.

Throwback Thursday: Amitabh Bachchan shares 'then & now' photo meeting Ranbir Kapoor on Brahmastra and on sets of Ajooba with Shashi Kapoor

In this throwback photo, one can see toddler Ranbir Kapoor standing next to grand-uncle Shashi Kapoor on the sets of Ajooba in 1990. Cut to 2020, the two stars are working together in fantasy drama Brahmastra. “T 3453 – THEN and NOW .. तब और अब बड़ी बड़ी हैरान आँखें , RANBIR की , AJOOBA के सेट पे , Shashi जी और मेरे साथ ;  और अब एक मझा हुआ सशक्त RANBIR , ‘ब्रहमास्त्र’ के सेट पे  !! 1990 to 2020 ..”समय चलता है अपनी समय सिद्ध चाल”,” he wrote on Instagram.

Amitabh Bachchan and Ranbir Kapoor are currently on the final schedule of Brahmastra. A day ago, Big B shared couple of photos with Ranbir Kapoor as they kicked off the schedule as early as 6am. “T 3452 –  .. work starts early .. like 6 am .. rehearsing, blocking and then shooting it .. with one of my favourites ❤️????.. I need 4 of those????s to keep up with his enormous talent,” he wrote on Twitter.

 

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On the sets .. with the one I admire and adore .. one of the finest .. need the 4 chairs to match up to his incredible talent ????!!

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Brahmastra, directed by Ayan Mukerji, stars Mouni Roy, Nagarjuna among others. It is slated to release on December 4, 2020.

ALSO READ: Brahmastra: Ranbir Kapoor and Amitabh Bachchan kick off final schedule, Alia Bhatt to join soon

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Bigg Boss 13 finalist Asim Riaz to feature in music video with Jacqueline Fernandez

Bigg Boss 13 contestant Asim Riaz was one of the most popular contestants of the show. Thanks to his popularity and love from audiences, Asim became the first runner of the show. Looks like, Asim Riaz could be the next big thing in the entertainment industry. As soon as he stepped out of the BB house rumours of him featuring in Karan Johar’s Student of The Year 3 along with Shah Rukh Khan’s daughter Suhana Khan started making the rounds. However, the news was dismissed by Karan who said he had no such plans but Asim will soon be seen in a music video with Bollywood hot diva Jacqueline Fernandez. 

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Kamal Haasan was in control: Production house on Indian 2 mishap

Lyca, the production company backing Kamal Haasan’s Indian 2, have said the veteran actor was always in total control, hinting that the veteran actor should accept part of the blame for the recent accident on the set, which claimed three lives. Last week’s accident on the set of “Indian 2” that killed three crew members caused a stir in the Tamil film industry for lack of safety measures during the shoot. Soon after the incident, Kamal Haasan wrote a public statement to Lyca questioning the steps taken to ensure the safety of cast and crew members, and questioned if an insurance was taken. He also stated that the film industry, which he has been a part of for decades, is yet to take safety standards seriously.

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500 auto-rickshaws seen on the sets of Salman Khan’s Radhe – Your Most Wanted Bhai

Superstar Salman Khan is busy with the shooting schedule of his Eid release, Radhe – Your Most Wanted Bhai. The fans are eager to catch a glimpse of the actor since the announcement was made last year. As the actor continues to shoot for the film, a photograph from the sets of the film has gone viral.

500 auto-rickshaws seen on the sets of Salman Khan’s Radhe – Your Most Wanted Bhai

In the photo, gone viral, Salman Khan can be seen in a chequered shirt and shades as he does not face the camera. It seems like the actor is waiting for his shot. The photo was shared on social media by the Director Of Photography, Ayananka Bose.

Another interesting detail was revealed that 500 auto-rickshaws arrived on set to film certain scenes. One of the makeup-artist Raju Naag will be playing one of the drivers.

Radhe – Your Most Wanted Bhai is an action-packed entertainer and the first teaser will be out on Holi. The film will feature Salman Khan in a different cop avatar. Directed by Prabhu Dheva, the film also stars Disha Patani, Randeep Hooda and Jackie Shroff in pivotal roles. The film is releasing on Eid and will clash with Akshay Kumar’s Laxmmi Bomb at the box office.

ALSO READ: Salman Khan to drop Radhe – Your Most Wanted Bhai teaser on Holi

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Surprise celebrations for Bhumi Pednekar on the sets of Durgavati

Bhumi Pednekar’s career is on a massive high! Last year she delivered three back to back hits with Saand Ki Aankh, Bala and Pati, Patni Aur Woh. The versatile actor has also been an award-season favourite as she has picked up several key Best Actress Awards!

Surprise celebrations for Bhumi Pednekar on the sets of Durgavati

Bhumi has been shooting for Akshay Kumar’s Durgavati which is helmed entirely by her and she was in for a sweet surprise on the sets! “Bhumi has been sweeping awards left right and centre and the team of Durgavati wanted to throw a special celebration for her! Bhumi was not told about this plan and the entire cast and crew of the film ensured that post pack up she was taken completely by surprise!” informs a source from the sets.

Surprise celebrations for Bhumi Pednekar on the sets of Durgavati

The source adds, “Bhumi was thrilled and overwhelmed that her team had planned such a sweet and special surprise. She was bowled over by their gesture. There was an elaborate cake cutting ceremony that saw the entire set participate and post this, the crew congratulated her again for bagging all the Best Actress Awards. Bhumi has been wowing audiences and critics with her performances film on film and she is quite over the moon this year with all the top awards including Filmfare that she has been felicitated with.”

Surprise celebrations for Bhumi Pednekar on the sets of Durgavati

On the work front, Bhumi Pednekar will be next starring in Durgavati, Dolly Kitty Aur Woh Chamakte Sitare and Takht.

ALSO READ: EXCLUSIVE: “I did realise that both my cameos in Bhoot and Shubh Mangal Zyada Saavdhan had a scene where I was eloping” – Bhumi Pednekar

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"Ten or even five years ago, Shubh Mangal Zyada Saavdhan would not have been possible", says Ayushmann Khurrana on the success of Shubh Mangal Zyada Saavdhan

The happiest star-actor in Asia right now is Ayushmann Khurrana. His latest and riskiest release in a career relying dangerously on risks, has got a heartwarming response. Ayushmann and I spoke as he headed from Lucknow to the airport back home to Mumbai.

Exhausted but happy he said, “We didn’t want Shubh Mangal Zyada Saavdhan to be seen as just a gay love story. Of course, it is about two men in love. But it is more about the family and how they react to their son’s same-sex relationship. We didn’t want a heavy handed grim treatment. We wanted it to be a popcorn entertainer for the whole family, a family film. We didn’t want anyone to squirm while watching. I think we have achieved that.”

Ayushmann says he always wants his film to be different, bold game-changers but nonetheless palatable to the entire family. “I think I’d be a little worried if one of my films was given an ‘A’ certificate without warning. I thought my Article 15 was dark. But again it ended on a hopeful note. With Shubh Mangal Zyada Saavdhan, we knew we were making a happy film. That was the mood.”

The actor who has had a string of unbroken hits for the past three years feels the winds of change blowing across Indian cinema. “Ten or even five years ago, Shubh Mangal Zyada Saavdhan would not have been possible. The fact that we now have audiences watching this film favourably is reassuring.”

Even more gratifying is the fact that the censor board allowed the kiss between Ayushmann and his co-star Jitendra Kumar to remain. “They realized it was an important part of the film. It is the only intimate moment between the couple. Kuch toh intimacy dikhani tthi (we had to show some intimacy somewhere).

How did Ayushmann’s wife Tahira react to the kiss? “She was very relaxed about it. She saw it for what it was: an organic part of the story and not a gimmick. I think we’ve all come a long way.”

Also Read: EXCLUSIVE: “I did realise that both my cameos in Bhoot and Shubh Mangal Zyada Saavdhan had a scene where I was eloping” – Bhumi Pednekar

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Shilpa Shirodkar is back on screen with Guns of Banaras

You know what they say… Once an actor, always an actor. Shilpa Shirodkar, who was a prominent actress all through the 1990s with hits like Kishen Kanhaiya, Hum, Aankhen, Khuda Gawah and Gopi Kishen to her credit, is now back in front of the camera.

Shilpa plays a significant role in this week’s actioner Guns Of Banaras. Speaking from her home in Dubai about her decision to make a comeback Shilpa says, “After I got married in 2000 my husband and I had a long-distance marriage for five years. I finally moved to Dubai and was happy to be a wife and then a mother to our only daughter. But then I started missing work…not acting per se. But just being at work. I did a couple of television serials.”

Then this feature film came her way from Rakesh (Rikku) Nath whose son Karan Nath was being re-launched. Star-secretary Rakesh Nath was instrumental in shaping Shilpa’s career. “I got in touch with Rikkuji and told him it was only fair that I should be a part of this film as his son was starring in it. Yeh toh ghar ki baat hui. He told me about the role that I could do. I liked it. And immediately said yes. Shooting with the film’s director Shekhar Suri and the rest of the team was like a picnic,” exults Shilpa.

She is now open to other acting offers. “There’s so much happening in our cinema now. And things have changed so much since I worked there. Everybody is more professional now. In the 1990 I’d be doing two shifts and running from one studio to another. Everything was haphazard. Now everyone knows his or her job. It’s a pleasure to be part of the industry again. For an actor my age there’re so many kind of roles on offer. And I’m not looking at playing the conventional romantic lead at this stage of my career.”

Shilpa’s ten-year career as a leading lady has left her feeling grateful for the experience. “I think I’m the only actress of my generation who got to work with Dev Anand Saab in Return Of Jewel Thief and Dilip Kumar Saab in Kalinga. Kalinga never released, but I did get to work with the greatest actor of our cinema. As for the third in the great trio of super-actors Raj Kapoor…I went to meet Raj Saab with my mother at his farm for a possible lead in Henna. He looked at me and said, ‘I wish I had met you when I was casting for Bobby.’ I didn’t work with Raj saab. But what he said has remained with me.”

So does Shilpa’s daughter show any inclination to be an actor? “At the moment she has other interests. But you never know. Acting is in her genes,” says Shilpa whose older sister Namrata Shirodkar was an actress, and so was their mother Gangu Bai and their grandmother Meenakshi Shirodkar.

Incidentally it is widely believed that Shilpa is older than Namrata when in fact it’s the opposite. “That’s because I did everything before Namrata. I joined films before her. I married before and became a mother first,” says Shilpa.

The two sisters remain very close. “We became even closer after we lost our parents. I make it a point to be in India for every release of my brother-in-law Mahesh Babu,” says Shilpa proudly.

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Movie Review: Thappad

We are in the year 2020 but still, a lot of objectionable trends are sadly quite common. Violence against women, especially, continues despite progress of our country and growth in education and standard of living. Anubhav Sinha, whose 2.0 avatar has given us films on Hindu-Muslim unity [MULK; 2018] and caste discrimination [ARTICLE 15; 2019] now takes up this topic for his latest hard-hitting flick, THAPPAD. The trailer has already intrigued viewers because of its storyline and the association of Taapsee Pannu and Anubhav with this project. So does THAPPAD manage to be as impactful as Anubhav’s last two films? Or does it disappoint? Let’s analyse. THAPPAD is the story of a woman fighting a tough battle. Amrita (Taapsee Pannu) is a housewife and is happily married to Vikram (Pavail Gulati) in Delhi. Vikram works in a reputed company and is desperately looking forward to an opportunity which will take him to London for work purposes. Amrita knows how much this means to Vikram. She loves him with all her heart and her entire life revolves around him and in attending to his mother, Sulochana (Tanvi Azmi). Thankfully for Vikram, he’s selected for the London stint. The same night, he throws a party in his house. All is going well until he gets a call from his superior, Thapar. He informs Vikram that he won’t be getting the desired profile that he’s looking for in London and that he’ll have to report to an authority there. This is not something that Vikram was initially assured. He confronts Rajhans, another superior of Vikram and who is present in the party. Things heat up between them and Amrita tries to pacify him. In the process, Vikram slaps Amrita. Her whole world comes crashing down. She tries to move on but is just not able to. Vikram shows regret when he realizes that Amrita has been hurt by his actions. He tries to console her but it doesn’t work for her. Amrita hence shifts to the house of her parents (Kumud Mishra and Ratna Pathak Shah). Vikram stops her and later even comes to take her back. But she doesn’t budge. Vikram then sends a legal notice to her. Swati (Naila Grewal), the girlfriend of Amrita’s brother Karan (Ankur Rathee), suggests that Amrita should show this letter to Nethra (Maya Sarao), a reputed lawyer and Swati’s boss. Nethra suggests that Amrita should solve this issue amicably. Amrita however doesn’t want to and she insists on a divorce. What happens next forms the rest of the film. Anubhav Sushila Sinha and Mrunmayee Lagoo Waikul’s story is superb and applause-worthy. In a society where repeated acts of violence committed by husbands on their wives is fairly common, it requires guts to pull off a film where the woman has been hit just once by the husband and yet make it seem convincing. Anubhav Sushila Sinha and Mrunmayee Lagoo Waikul’s screenplay (script consultant: Anjum Rajabali) helps a lot in ensuring that the audiences get persuaded to agree with the vision of the team. They very well put out the situation and how patriarchy is deeply ingrained in our psyche, not just in case of men but also women. Anubhav Sushila Sinha and Mrunmayee Lagoo Waikul’s dialogues are acidic and sharp and add to the impact. Some of them simplify the proceedings but that goes in favour of the film. There are lot of one-liners that will surely hit viewers and make them reflect on their own wrongdoings. Anubhav Sushila Sinha’s direction is superlative. He has not just penned a great script but he has even executed it very well. The world and mood is drastically different when compared to MULK and ARTICLE 15 but he understands it and does justice. Amrita’s predicament is well established and one is bound to get moved by her struggle, especially when even her family members fail to support her. There are also several subplots and most of them are well helmed and add to the principle plot nicely. There are a few scenes where he does a fine job like Shivani (Dia Mirza) hugging Amrita, Sulochana ignoring the slap and insisting that Amrita should attend to the guests, Amrita’s father scolding his son for misbehaving with Swati, Amrita’s mother Sandhya chiding for not getting support to continue her singing career, the confrontation between the lawyers etc. On the flipside, the second half seems dragging. The makers could have done away with the track of Sulochana living separately as it just added to the subplots needlessly. Additionally, they could have fine-tuned the track of the lawyer cheating on her husband. A section of audience might find the entire bit of Vikram not apologizing to Amrita difficult to digest. It’s strange that no one from his circle suggested that he should say sorry. It’s only in the pre-climax that this issue is raised in front of him. Anubhav on Delhi Violence: “We used to be ANIMALS and may be we CONTINUE to be” | Taapsee | Thappad THAPPAD has an impressive beginning where all the supporting characters are introduced and the commonality is them having an ice-cream. Amrita’s introduction is superbly down. It does give one a déjà vu of Nishikant Kamat’s classic Marathi film DOMBIVALI FAST [2004] but it works very well here to depict what her day looks like. The highpoint is definitely the party sequence and the slap. After this scene, it might feel that the film is stagnating but those scenes are important to explain how Amrita’s life has changed drastically post the slap. The intermission point is great. Post-interval, the interest is maintained but this is where the film drags. One expects dhamaka when the parties come face-to-face but nothing of that sort happens. The confrontation is there and though it is sync with the film’s plot and mood, it might seem mild, especially those expecting some entertainment here. The film ends on a justified note. THAPPAD has several excellent actors but it belongs to Taapsee Pannu without a shred of doubt. She has delivered several memorable performances and this one will surely be one of her most accomplished acts! She gets completely into the skin of character, making viewers forget of her earlier performances. You forget its Taapsee when you see her dutifully performing her housewife duties. Pavail Gulati makes a fantastic debut. He looks dashing and completely suits the part. Kumud Mishra is terrific. Anubhav Sinha always extracts a fine performance from him and THAPPAD is no exception. Ratna Pathak Shah is quite subtle and makes an impact. Same with Tanvi Azmi – her dialogue in the finale sums up the film in a way. Maya Sarao is a powerhouse of talent and is an actor to watch out for. She gets her act totally right, especially her body language. Geetika Vidya (Sunita) gets to play a memorable part and she kills it. Dia Mirza has limited screen time but it works. Gracy Goswami (Sania; Shivani’s daughter) has a fine screen presence and she dances nicely. Naila Grewal, Manav Kaul (Rohit Jaisingh), Ram Kapoor (Advocate Gujral) and Ankur Rathee are fair. Harssh A Singh (Thapar), Santanu Ghatak (Vikram’s colleague Subodh), Rohan Khurana (Nethra’s love interest), Sushil Dahiya (Vikram’s father), Siddhant Karnick (Vikram’s brother), Nidhi Uttam (Vikram’s sister-in-law) and the actor playing Rajhans also do a good job. Anurag Dipali Saikia’s music doesn’t have much scope. ‘Ek Tukda Dhoop’ however has a nice, lingering effect. Mangesh Urmila Dhakde’s background score is magnificent. The initial sequences have a jazz style music that gives a nice touch. Soumik Sarmila Mukherjee’s cinematography is top-class. Vishakha Vidya Kullarwar’s costumes are appealing, especially the saree worn by Taapsee in the party. Jyotika Mirpuri Aroura’s make-up and hair is appropriate. Nikhil Kshipra Kovale’s production design is rich. Yashpa Pushpa Ramchandani’s editing could have been a tighter, but overall he has done a commendable job. On the whole, THAPPAD makes a strong statement on patriarchy and violence against women and is laced with a powerful performance by Taapsee Pannu. At the box office, it will be loved and adored by its target audience – the womenfolk.

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